Where rarity
becomes legend

Scroll to explore Algems

Objects with meaning

Atelier desk with a Pink Cascade necklace in an ivory tray and a matching sketchbook study

Algems explores high jewellery and collectible objects through the vision of Anita Mai Tan . From sculptural forms to considered materials, each study explores personal expressions of rarity and the quiet presence an object can hold.

Anita Mai Tan

Artist seated at an atelier desk with a sketchbook

The signature

The Dragon Decanter brings cut crystal and a sculptural gold dragon into a single, dramatic form. A faceted orb stopper, sweeping wing and coiled tail define this signature study.

Cut-crystal decanter surrounded by a winged gold dragon, with a faceted orb stopper

Cut crystal
A sculptural
winged dragon

01

Close detail of cut crystal and a gold dragon against a dark background

Museum
Grade

Exceptional jewelled artefacts, selected for their sculptural presence, rare materials and exacting craftsmanship. A collection conceived to be contemplated, preserved and passed on.

Explore Museum Grade

The
Vault

A collection of high jewellery and collectible objects, exploring the meeting of form, material and personal symbolism. Each study begins with a distinct point of view, expressed through its silhouette, surface and setting.

View all works

For the
collector

An object becomes personal long before it finds a place in a collection.

A collection can begin with a memory, a material or a form that feels entirely your own . These design studies explore how that first connection might become a jewelled object with a distinct presence.

Two hands holding a capped gold pen with gem-set decoration above ivory linen
Editorial portrait of a female model in burgundy velvet wearing a maroon and white jewellery suite, floral ring and multicolour bangle in a warm classical interior

Designed around a point of view, considered at the scale of one.

The next step is a private conversation about proportion, materials and the meaning an object may hold. The studies shown here offer a starting point for a future direction, with each detail considered around the person who will live with the work.

Two hands discussing a blue and green dolphin-motif bracelet on an ivory support beside a graphite study

Material
and
meaning

White and yellow diamonds, white and rose gold meet in studies of light, colour and surface. Faceted stones, sculpted settings and the soft lustre of pearls give each material a different presence.

Round brilliant white diamond held between two jeweller tweezer tips against a warm charcoal background
Close portrait of the Canary Fringe Necklace with white and yellow diamond rows and a large yellow pear drop on a black bust in a warm salon
Diamond Petal Ring with an asymmetric pear and pavé floral head, held by its band in a slotted charcoal suede cushion

Diamond and pearl
White and rose gold
Light, colour, texture

Close detail of one white pearl linked to a peach-pink cushion morganite and diamond halo in warm rose gold, above dark marble

The making

I. Sketch — a memory, a symbol or a favourite form becomes the starting point for a private conversation about scale, silhouette and the intended character of a new work.

Two hands sketching the Diamond Petal Ring in a cream sketchbook beside a window, without printed product photographs
Blue-green floral wax ring model held over a worn grey bench support, with empty pear-shaped settings and tools nearby

II. Wax & cast

A model explores volume and balance before the form is translated into metal . The focus is on proportion, the relationship of surfaces and the space reserved for each stone.

Isolated blue-green floral wax ring model with empty pear-shaped settings and a transparent background

III. Hand-setting
under the loupe

Two hands working on the white-gold Diamond Petal Ring above a leather-lined wooden clamp at a warm wooden bench
Two hands holding the Diamond Petal Ring by its band and gently wiping an upper white-metal edge with an ivory cloth at a wooden bench

IV. Final polish — a considered finish

Your commission

Every piece begins with a conversation. Share a story, an idea or a material you are drawn to, and use these studies as a starting point for imagining a new, personal work.

Pink Cascade graphite necklace study on cream paper with three white-metal loop setting studies and a round ivory dish holding a pink pear and loose clear stones
Three hands around a Pink Cascade graphite necklace drawing and two blue-green wax studies, with one hand holding a pencil
One hand using tweezers to hold a pink pear above a round ivory dish with pavé component studies, beside a graphite necklace drawing and loose clear stones

Recognition